The Smyles Comm-biner is a quality stereo audio interface that combines production audio and walkie-talkie audio so both can be monitored via headphones. It is particularly suited to the world of reality and documentary production but is useful in any situation where walkie-talkies must be monitored as well as production audio.
What are the advantages of the Smyles Comm-biner?
– No need to block one ear with an uncomfortable surveillance tube, compromising the sound of your headphone in that ear – both ears are open and so you hear normally and “in stereo”. And if you use in-ear monitors you don’t have to improvise to try to get the surveillance tube AND your in-ear monitor in the same ear.
– It can be used with any input source from professional mixer/recorder or camera to IFB receiver, iPod or iPad.
– Use your own headphones, IEMs or earbuds.
– You select the walkie-talkie feed to left, right or both ears.
– No surveillance tube to clog up – but the transducer and tube are included for those times you don’t want to wear headphones… such as at lunch time.
– Stereo-mono switch: In STEREO mode you have normal stereo monitoring of production audio with the walkie-talkie feeding left, right or both channels. In MONO mode the stereo input is mixed to mono and and with the walkie is fed only to the left channel – useful for camera operators who want to wear only a single mono earpiece. Additionally, the “ring” of the headphone jack is lifted so a mini mono plug will not short out the right channel feed.
– The signal chain is completely passive – no power is needed.
Click here for purchasing information
From Deadline Pete Hammond As promised when the Academy of Motion Picture Arts and Sciences announced its…
The Black Sound and Video Alliance has many different sound mixers, boom operators, sound technicians…
https://www.youtube.com/embed/c-hOIN9kuf0 An interview with our Tony Smyles!
Mission Statement: This group is for black/mixed race men and women in IATSE 695 or…